{"id":8376,"date":"2018-05-16T17:23:28","date_gmt":"2018-05-16T15:23:28","guid":{"rendered":"http:\/\/www.restaurantestevet.com\/?p=8376"},"modified":"2018-05-16T17:23:28","modified_gmt":"2018-05-16T15:23:28","slug":"macba-melanie-smith-farsa-i-artifici","status":"publish","type":"post","link":"https:\/\/www.restaurantestevet.com\/zh-hans\/macba-melanie-smith-farsa-i-artifici\/","title":{"rendered":"MACBA. MELANIE SMITH. FARSA I ARTIFICI"},"content":{"rendered":"El MACBA presenta Melanie Smith. Farsa i artifici, la m\u00e9s \u00e0mplia exposici\u00f3 institucional que s\u2019ha organitzat mai a Europa del treball de l\u2019artista. La mostra inclou tot el ventall de mitjans en qu\u00e8 s\u2019expressa Smith, des de les primeres escultures, assemblatges, relleus i pintures fins a les seves obres en v\u00eddeo, fotografia i instal\u00b7lacions. Smith va n\u00e9ixer al Regne Unit el 1965, per\u00f2 ha desenvolupat la seva carrera en el context de l’escena art\u00edstica mexicana dels noranta. Instal\u00b7lada a Ciutat de M\u00e8xic des de 1989, l\u2019artista va representar M\u00e8xic a la Biennal de Ven\u00e8cia de 2011. Va arribar a M\u00e8xic provinent de les contradiccions de l’Anglaterra de Thatcher, caracteritzada pel desmantellament del passat industrial i per la transformaci\u00f3 en una economia de serveis que, despr\u00e9s de l\u2019empenta inicial, va acabar en recessi\u00f3. A M\u00e8xic va ser testimoni de l’estratificaci\u00f3 de la modernitzaci\u00f3 capitalista, de la modernitat fallida i l’empobriment derivat de l\u2019hiperconsumisme, de sistemes m\u00e9s tradicionals de manufactura i una economia informal. El contrast entre el seu pa\u00eds d’origen i el d’adopci\u00f3 informa subtilment la seva obra.<\/p>\n
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Des dels anys vuitanta, Smith ha abordat temes interrelacionats que abasten els efectes i detritus de la industrialitzaci\u00f3, l’economia i l’est\u00e8tica de l’abstracci\u00f3, la urbanitzaci\u00f3, el colonialisme i, m\u00e9s recentment, la natura i l’entropia. En la seva obra, els mercats atape\u00efts de quincalla de pl\u00e0stic de Ciutat de M\u00e8xic esdevenen testimonis del domini de les economies neoliberals, per\u00f2 tamb\u00e9 de l’exist\u00e8ncia de mercats i sistemes de circulaci\u00f3 alternatius. D’altra banda, constitueixen la base d’una investigaci\u00f3 sobre l’abstracci\u00f3 \u2015el monocrom\u2015 en relaci\u00f3 amb la ciutat, l’avantguarda, el modernisme, l\u2019indigenisme i diverses formes de nacionalisme. En \u00faltima inst\u00e0ncia, Smith du a terme un treball d’arqueologia del modernisme i la modernitat.<\/p>\n
L\u2019exposici\u00f3 presenta un conjunt de corpus importants de l\u2019obra de Smith que posen de manifest el desenvolupament del seu projecte. Tot i que no s\u2019organitza cronol\u00f2gicament, la mostra inclou algunes peces clau dels seus inicis com Spiral City (2002) i Six Steps to Abstraction i Farce and Artifice (2004). Spiral City \u00e9s una pel\u00b7l\u00edcula acompanyada de s\u00e8ries fotogr\u00e0fiques i pinturesde la ciutat de Mexico, inspirada en la gegantina escultura de land art i la pel\u00b7l\u00edcula de Robert Smithson Spiral Jetty. Si la pel\u00b7l\u00edcula de Smithson segueix el moviment de l’artista cap al centre de l’espiral, Spiral City representa el contrapunt de la ret\u00edcula de Ciutat de M\u00e8xic, filmada des de l’aire dibuixant una espiral cada vegada m\u00e9s \u00e0mplia. La pel\u00b7l\u00edcula mostra una ciutat v\u00edctima de l’erosi\u00f3, en la qual les construccions se superposen i s’esfondren, una inquietant cartografia del futur. Junts componen un document d’una expansi\u00f3 urbana aparentment il\u00b7limitada, on la contemplaci\u00f3 abstracta de la massa \u00e9s inseparable de la seva experi\u00e8ncia social. A la mostra aquests treballs s\u2019exposaran junt amb treballs m\u00e9s recents com Fordlandia (2014) que explora els l\u00edmits de la immensitat de la natura a la seva amaz\u00f2nica brasilera.<\/p>\n
Xilitla (2010) \u2015anomenada com un poble de M\u00e8xic on hi ha un jard\u00ed creat per l’exc\u00e8ntric arist\u00f2crata brit\u00e0nic Edward James (1907-1984), important col\u00b7leccionista d’art surrealista\u2015 examina el llegat del modernisme i les modernitats incompletes de Llatinoam\u00e8rica a trav\u00e9s de les rel\u00edquies i ru\u00efnes del surrealisme encarnat per les estructures concretes fant\u00e0stiques que va construir al seu jard\u00ed. Fordlandia (2014) es va filmar a la ciutat abandonada fundada per Henry Ford a la selva amaz\u00f2nica brasilera per produir goma. La utopia de Ford d’una producci\u00f3 industrial capitalista va fracassar aviat i, un cop abandonat, l\u2019indret va caure en un estat de r\u00e0pid i progressiu deteriorament. La pel\u00b7l\u00edcula de Smith se centra en detalls de l’assentament i en el seu estat actual de ru\u00efna, les comunitats aut\u00f2ctones que viuen a la regi\u00f3, el riu i la flora i fauna locals. D’aquesta manera, la pel\u00b7l\u00edcula teixeix una reflexi\u00f3 sobre els processos d’entropia observats en relaci\u00f3 amb la modernitat i els seus fracassos, especialment en el context dels tr\u00f2pics, on la natura s’imposa obstinadament.<\/p>\n
La mostra inclou tamb\u00e9 treballs recents com una pintura performativa Obscuridades buc\u00f3licas (2017), inspirades en l\u2019obra de El Bosco per\u00f2 combinat amb un sentit de l\u2019absurd que trobem tant en un context mexic\u00e0 com en el surrealisme brit\u00e0nic, al sentit de l\u2019humor de la literatura brit\u00e0nica com per exemple Alicia en el pa\u00eds de les meravelles (1865) o Book of Nonsense (1846) de Edward Lear o els mateixos Monty Python.<\/p>\n
L’exposici\u00f3 del MACBA examina en profunditat la traject\u00f2ria de Smith i inclou obres de nova producci\u00f3. L’exposici\u00f3 est\u00e0 produ\u00efda en col\u00b7laboraci\u00f3 amb el MUAC de Ciutat de M\u00e8xic, i el Museo Amparo de Puebla, M\u00e8xic.<\/p>\n
Comiss\u00e0ria: Tanya Barson<\/p>\n
Del 18 maig al 07 oct. 2018<\/h2>\n","protected":false},"excerpt":{"rendered":"
El MACBA presenta Melanie Smith. Farsa i artifici, la m […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","inline_featured_image":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3],"tags":[],"class_list":["post-8376","post","type-post","status-publish","format-standard","hentry","category-cultura"],"yoast_head":"\n
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